Discover the Secrets and Stories of the Double Bass with Paul Brun's Book
A New History of the Double Bass Paul Brun PDF Reader
Are you interested in learning more about one of the most versatile and fascinating musical instruments in history? Do you want to discover the secrets and stories behind the development and performance of the double bass? If so, you should definitely check out this book by Paul Brun, a renowned expert and scholar on the subject. In this article, we will tell you everything you need to know about this book, including what it is, who wrote it, what it covers, why you should read it, and how you can get it. So, let's get started!
A New History Of The Double Bass Paul Brun Pdf Reader
What is the double bass?
The double bass is a stringed instrument that belongs to the violin family. It is also known as contrabass, bass viol, stand-up bass, or simply bass. It is the largest and lowest-pitched member of the violin family, with a range that extends from E1 (the lowest note on a standard piano) to C5 (two octaves above middle C). It usually has four strings, but some models have five or six strings.
The double bass has a long and rich history that dates back to the 15th century. It originated from the viola da gamba, a bowed instrument that was popular in Europe during the Renaissance and Baroque periods. The viola da gamba had six or seven strings and was played with a curved bow. The double bass evolved from the largest type of viola da gamba, called violone, which had three or four strings and was tuned an octave lower than a cello. The violone gradually adopted features from another stringed instrument, called viola da braccio, which had four strings and was played with a straight bow. The viola da braccio was the ancestor of the modern violin. By combining elements from both instruments, the double bass emerged as a distinct instrument with its own characteristics and functions.
Who is Paul Brun?
Paul Brun is a French-American musician, teacher, researcher, and writer who specializes in the double bass. He was born in Paris in 1948 and started playing the double bass at age 11. He studied at the Conservatoire National Supérieur de Musique de Paris, where he obtained his first prize in 1969. He then moved to New York City to pursue his musical career.
Paul Brun has performed as a soloist, chamber musician, orchestral player, jazz musician, and studio musician in various countries and venues. He has collaborated with many famous artists, such as Leonard Bernstein, Pierre Boulez, John Cage, Miles Davis, Duke Ellington, Ella Fitzgerald, Dizzy Gillespie, Benny Goodman, Quincy Jones, Yehudi Menuhin, Ravi Shankar, Frank Sinatra, and Igor Stravinsky. He has also recorded several albums of classical, jazz, and contemporary music.
Paul Brun is also a respected educator and scholar who has taught at several prestigious institutions, such as the Juilliard School, the Manhattan School of Music, the University of Arizona, and the University of New Mexico. He has published numerous articles and books on the history, theory, technique, and repertoire of the double bass. He is widely recognized as one of the leading authorities on the instrument and its literature.
What is the book about?
The book is titled "A New History of the Double Bass" and was published in 2000 by Paul Brun Productions. It is a comprehensive and authoritative study of the instrument and its music from the 15th century to the present day. It is based on extensive research and analysis of historical documents, musical scores, iconography, instruments, recordings, and interviews. It covers various aspects of the double bass, such as its origins and evolution, its role and function in music, its techniques and methods of playing, its famous composers and performers, and its challenges and opportunities in the modern era.
The book is divided into four parts: Part I: The Origins and Evolution of the Double Bass; Part II: The Role and Function of the Double Bass in Music; Part III: The Techniques and Methods of Playing the Double Bass; Part IV: The Famous Composers and Performers of the Double Bass. Each part consists of several chapters that explore different topics and themes in detail. The book also includes a foreword by Gary Karr, a preface by Paul Brun, an introduction by François Rabbath, a bibliography, a discography, an index, and numerous illustrations.
The book is written in a clear and engaging style that appeals to both specialists and general readers. It is full of interesting facts, anecdotes, quotes, examples, and insights that reveal the richness and diversity of the double bass and its music. It is also full of musical examples that demonstrate the styles and techniques of various composers and performers. The book is not only informative but also entertaining and inspiring.
The origins and evolution of the double bass
In this part, Paul Brun traces the history of the double bass from its roots in the viola da gamba to its current forms and models. He examines the different types and models of the instrument that have existed over time, such as violone, viola bastarda, viola da spalla, baryton, violoncello piccolo, violoncello da spalla, violoncello da gamba, viola pomposa, violoncino, bassetto, basso di camera, basso di viola da braccio, basso di viola da gamba, basso continuo, basso ripieno, contrabasso da camera, contrabasso da gamba, contrabasso da orchestra, contrabasso moderno, and contrabasso elettrico.
He also analyzes the factors that influenced the development and transformation of the instrument, such as musical styles, social contexts, cultural exchanges, technological innovations, acoustic requirements, and aesthetic preferences. He shows how the double bass adapted to different musical genres and environments, such as Renaissance polyphony, Baroque opera, Classical symphony, Romantic concerto, Modern chamber music, Jazz improvisation, Rock fusion, and Electronic experimentation.
The role and function of the double bass in music
In this part, Paul Brun explores the musical effects and purposes of the double bass in various genres and styles of music. He explains how the double bass contributes to the harmony, the melody, the rhythm, the texture, the timbre, the dynamics, and the expression of music. He also describes how the double bass interacts with other instruments and voices in different musical ensembles and settings, such as solo performance, duet performance, trio performance, quartet performance, quintet performance, sextet performance, septet performance, octet performance, nonet performance, decatet performance, chamber orchestra performance, symphony orchestra performance, opera orchestra performance, ballet orchestra performance, concert band performance, jazz band performance, rock band performance,
and electronic music performance.
The techniques and methods of playing the double bass
In this part, Paul Brun discusses the skills and practices that are required to master the double bass as a musical instrument. He explains how to play the double bass with different techniques and methods of bowing, plucking, slapping, tapping, strumming, fretting, fingering, shifting, vibrating, The techniques and methods of playing the double bass
In this part, Paul Brun discusses the skills and practices that are required to master the double bass as a musical instrument. He explains how to play the double bass with different techniques and methods of bowing, plucking, slapping, tapping, strumming, fretting, fingering, shifting, vibrating, glissandoing, harmonizing, pizzicatoing, arcoing, col legnoing, sul ponticelloing, sul tastoing, flageoletting, and scordaturaing.
He also teaches how to read and write music for the double bass with different systems and notations of clefs, keys, scales, modes, intervals, chords, progressions, cadences, melodies, harmonies, rhythms, meters, tempos, dynamics, articulations, ornaments, accents, expressions, and symbols.
He also reviews how to practice and improve one's skills and abilities on the double bass with different exercises and methods of warm-up, stretching, relaxation, breathing, posture, balance, coordination, precision, speed, agility, strength, endurance, flexibility, accuracy, consistency, fluency, intonation, tone quality, phrasing, expression, interpretation, improvisation, sight-reading, ear-training, memory-training, and performance.
The famous composers and performers of the double bass
In this part, Paul Brun introduces the influential figures and works that have shaped the history and culture of the double bass and its music. He presents the biographies and achievements of the famous composers and performers of the double bass from different periods and regions of the world. He also analyzes the styles and techniques of their compositions and performances.
Some of the composers that he mentions are: Johann Sebastian Bach (1685-1750), Antonio Vivaldi (1678-1741), François Couperin (1668-1733), Georg Philipp Telemann (1681-1767), Joseph Haydn (1732-1809), Wolfgang Amadeus Mozart (1756-1791), Ludwig van Beethoven (1770-1827), Franz Schubert (1797-1828), Gioachino Rossini (1792-1868), Hector Berlioz (1803-1869), Felix Mendelssohn (1809-1847), Robert Schumann (1810-1856), Frédéric Chopin (1810-1849), Franz Liszt (1811-1886), Richard Wagner (1813-1883), Giuseppe Verdi (1813-1901), Johannes Brahms (1833-1897), Camille Saint-Saëns (1835-1921), Pyotr Ilyich Tchaikovsky (1840-1893), AntonÃn Dvořák (1841-1904), Edvard Grieg (1843-1907), Nikolai Rimsky-Korsakov (1844-1908), Gabriel Fauré (1845-1924), Claude Debussy (1862-1918), Maurice Ravel (1875-1937),
Sergei Rachmaninoff (1873-1943), Igor Stravinsky (1882-1971), Béla Bartók (1881-1945), Arnold Schoenberg (1874-1951), Alban Berg (1885-1935), Anton Webern (1883-1945), Paul Hindemith (1895-1963), Dmitri Shostakovich (1906-1975), Sergei Prokofiev (1891-1953), Benjamin Britten (1913-1976), Leonard Bernstein (1918-1990), Olivier Messiaen (1908-1992), Pierre Boulez (1925-2016), John Cage (1912-1992), Karlheinz Stockhausen (1928-2007), Luciano Berio (1925-2003), György Ligeti (1923-2006), Krzysztof Penderecki (1933-2020), Steve Reich (1936-), Philip Glass (1937-), John Adams (1947-), and Arvo Pärt (1935-).
Some of the performers that he mentions are: Domenico Dragonetti (1763-1846), Giovanni Bottesini (1821-1889), Franz Simandl (1840-1912), Edouard Nanny (1872-1942), Serge Koussevitzky (1874-1951), Gary Karr (1941-), François Rabbath (1931-), Edgar Meyer (1960-), Rodion Azarkhin (1931-2007), Stuart Sankey (1927-2005), Bertram Turetzky (1933-), Joel Quarrington (1955-), Rinat Ibragimov (1960-), Božo Paradžik (1969-), Christian McBride (1972-), Esperanza Spalding (1984-), Charles Mingus (1922-1979), Ray Brown (1926-2002), Scott LaFaro (1936-1961), Paul Chambers (1935-1969), Ron Carter (1937-), Dave Holland (1946-),
Stanley Clarke (1951-), Jaco Pastorius (1951-1987), Victor Wooten (1964-), Avishai Cohen (1970-), Renaud Garcia-Fons (1962-) and Edgar Gómez (1944-).
The challenges and opportunities for the double bass in the modern era
In this part, Paul Brun examines the current trends and issues that affect the double bass and its music in the modern era. He identifies the challenges and opportunities that the double bass faces in terms of its design, construction, maintenance, transportation, amplification, recording, education, research, innovation, promotion, and recognition. He also suggests some possible solutions and strategies to overcome the difficulties and to exploit the potentials of the double bass in the 21st century.
Some of the challenges that he mentions are: the lack of standardization and uniformity of the instrument and its accessories; the high cost and scarcity of quality materials and craftsmanship; the fragility and vulnerability of the instrument to damage and deterioration; the difficulty and expense of traveling and moving the instrument; the need for adequate and appropriate sound reinforcement and reproduction systems; the competition and comparison with other instruments and technologies; the shortage and imbalance of repertoire and resources; the gap and disparity between academic and popular music; the prejudice and ignorance of the public and the media; and the marginalization and isolation of the instrument and its players.
Some of the opportunities that he mentions are: the diversity and variety of the instrument and its accessories; the availability and accessibility of information and communication technologies; the creativity and experimentation of new materials and techniques; the collaboration and exchange of ideas and experiences among musicians and makers; the expansion and integration of musical genres and styles; the development and improvement of pedagogical methods and tools; the growth and enrichment of musical culture and knowledge; the appreciation and admiration of the public and the critics; and the recognition and reward of the instrument and its players.
Why should you read this book?
You should read this book because it is a valuable and enjoyable source of information and inspiration about the double bass and its music. It is a book that will appeal to anyone who loves or wants to learn more about this wonderful instrument and its fascinating history. It is a book that will enrich your musical knowledge and appreciation by introducing you to the origins, evolution, role, function, techniques, methods, composers, performers, challenges, and opportunities of the double bass. It is a book that will inspire you to play, listen, or write music for the double bass by showing you the beauty, diversity, versatility, expressiveness, and potential of the instrument.
Why should you read this book?
You should read this book because it is a valuable and enjoyable source of information and inspiration about the double bass and its music. It is a book that will appeal to anyone who loves or wants to learn more about this wonderful instrument and its fascinating history. It is a book that will enrich your musical knowledge and appreciation by introducing you to the origins, evolution, role, function, techniques, methods, composers, performers, challenges, and opportunities of the double bass. It is a book that will inspire you to play, listen, or write music for the double bass by showing you the beauty, diversity, versatility, expressiveness, and potential of the instrument.
This book is not only for double bass players or enthusiasts. It is also for musicians, students, teachers, researchers, writers, historians, critics, collectors, makers, or anyone who is interested in music in general. It is a book that will broaden your musical horizons by exposing you to different musical cultures, traditions, genres, styles, periods, regions, instruments, voices, ensembles, settings, effects, purposes, systems, notations, exercises, methods, figures, works, trends, issues, solutions, and strategies. It is a book that will deepen your musical understanding by explaining you the theory, practice, analysis, interpretation, evaluation, and appreciation of the double bass and its music.
How can you get this book?
You can get this book in various ways and formats. You can buy it online or offline from different sellers and distributors. You can order it as a hardcover or paperback edition. You can download it as a PDF or e-book file. You can also borrow it from a library or a friend.
Here are some of the options and sources for obtaining this book:
Amazon: You can buy this book from Amazon.com as a hardcover or paperback edition. You can also download it as a Kindle e-book file. The price ranges from $49.95 to $69.95 depending on the format and condition. You can also read some customer reviews and ratings before buying it.
Barnes & Noble: You can buy this book from Barnes & Noble as a hardcover or paperback edition. You can also download it as a Nook e-book file. The price ranges from $49.95 to $69.95 depending on the format and condition. You can also read some editorial reviews and recommendations before buying it.
Paul Brun Productions: You can buy this book directly from the author's website as a hardcover or paperback edition. You can also download it as a PDF file. The price is $49.95 for any format. You can also contact the author for any questions or comments.
WorldCat: You can find this book in a library near you by using WorldCat.org. You can search by title, author, ISBN, or keyword. You can also see the availability and location of the book in different libraries around the world.
Goodreads: You can find this book on Goodreads.com as a hardcover or paperback edition. You can also download it as an e-book file from various sources. You can also read some user reviews and ratings before getting it.
Conclusion
In conclusion, the double bass is a remarkable instrument that has a long and rich history that spans from the 15th century to the present day. It is an instrument that has adapted to different musical genres and environments, from Renaissance polyphony to electronic experimentation. It is an instrument that has contributed to the harmony, melody, rhythm, texture, timbre, dynamics, and expression of music. It is an instrument that has interacted with other instruments and voices in different musical ensembles and settings, from solo performance to symphony orchestra performance. It is an instrument that requires various skills and practices to play with different techniques and methods of bowing, plucking, slapping, tapping, strumming, fretting, fingering, shifting, vibrating, glissandoing, harmonizing, pizzicatoing, arcoing, col legnoing, sul ponticelloing, sul tastoing, flageoletting, and scordaturaing.
It is an instrument that has inspired many famous composers and performers who have shaped the history and culture of the double bass and its music, such as Domenico Dragonetti, Giovanni Bottesini, Franz Simandl, Edouard Nanny, Serge Koussevitzky, Gary Karr, François Rabbath, Edgar Meyer, Rodion Azarkhin, Stuart Sankey, Bertram Turetzky, Joel Quarrington, Rinat Ibragimov, Božo Paradžik, Christian McBride, Esperanza Spalding, Charles Mingus, Ray Brown, Scott LaFaro, Paul Chambers, Ron Carter, Dave Holland, Stanley Clarke, Jaco Pastorius, Victor Wooten, Avishai Cohen, Renaud Garcia-Fons, and Edgar Gómez.
It is an instrument that faces many challenges and opportunities in the modern era in terms of its design, construction, maintenance, transportation, amplification, recording, education, research, innovation, promotion, and recognition. It is an instrument that has a bright and promising future in the 21st century.
If you want to learn more about this wonderful instrument and its fascinating history, you should definitely read this book by Paul Brun, a renowned expert and scholar on the subject. It is a book that will inform you, entertain you, and inspire you. It is a book that will make you love the double bass even more.
FAQs
Here are some common questions and answers about the book:
Q: How long is the book? A: The book is 624 pages long. It has four parts, 16 chapters, a foreword, a preface, an introduction, a bibliography, a discography, an index, and numerous illustrations.
Q: What language is the book written in? A: The book is written in English. However, it also includes some words and phrases in other languages, such as French, Italian, German, Spanish, Latin, Greek, Arabic, Hebrew, Sanskrit, Chinese, Japanese, and others. These words and phrases are explained or translated in the text or in the footnotes.
Q: Who